France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Walter Crane

English Golden Age Illustrator, 1845-1915

ID de tableau::  28025
Diana and Endymion
Diana et Endymion
1883 Oil on canvas 55.2 x 78.1cm (21 3/4 x 30 3/4 in) McManus Galleries Dundee (mk63)
1883 Pétrole sur le canevas 55,2 x 78.1cm (21 3/4 x 30 3/4 dans) Dundee de Galeries de McManus (mk63)
English Golden Age Illustrator, 1845-1915

   
 

 

 
   
      


ID de tableau::  29892
Diana and Endymion
Diana et Endymion
mk67 Oil on canvas 57 1/16x107 1/16in Pitti,Meridiana
mk67 Pétrole sur le canevas 57 1/16x107 1/16in Pitti, Meridiana
1518-1594

   
 

 

 
   
      

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Jerome-Martin Langlois

French Academic Painter, 1779-1838

ID de tableau::  44047
Diana and Endymion
Oil on canvas, 318 x 211 cm
French Academic Painter, 1779-1838

   
 

 

 
   
      

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Pier Francesco Mola

(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

ID de tableau::  80732
Diana and Endymion
Date ca. 1660(1660) Medium Oil on canvas cjr
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

   
 

 

 
   
      

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Pier Francesco Mola

(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

ID de tableau::  84916
Diana and Endymion
. 1660(1660) Medium Oil on canvas cyf
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

ID de tableau::  87107
Diana and Endymion
1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Diana and Endymion

        
 
   
 

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